Monday, November 28, 2011

Middle class jobs gone forever, but there's hope ... - Fortune Finance

FORTUNE -- The Occupy Wall Street movement has brought a new focus to an issue that many Americans have long seen as a problem: The growing gap between the haves and have nots. The nation's richest households are getting richer while everyone else seems to languish behind. There's obviously something wrong with that. But while it's easy to blame corporate greed and the evil banks, it might make more sense to look at what's happening to the jobs that once supported America's growing middle class. They're shrinking. Fast.

In a recent report, the Federal Reserve Bank of New York highlighted the erosion of what it calls "middle-skill jobs." These were relatively comfy jobs that didn't demand a lot of schooling -- folks in sales, office and administrative workers, production workers and the like. The Americans that held these jobs earned a decent living, which meant buying a home and retiring comfortably, all without a college degree.

Those days are long over (since around 1980, actually). The Fed crunches some pretty disturbing numbers that imply America's jobless problems today will probably not go away even when the economy fully recovers.

Between 1980 and 2009, demand for high-skilled workers from engineers to architects grew steadily. So did their wages. For instance, the median wage for jobs related to computers and math was roughly $49,000 in 1980 and it rose to $67,000 in 2009. Demand for lower-skilled workers from waitresses to construction workers also grew (and to some extent, so did their wages), leaving the middle class floundering with few options and declining or stagnant pay.

So how bad off is the middle class? The Fed offers a distressing glimpse: In 1980, three quarters of all U.S. workers were employed in middle-skill jobs. By 2009, that figure plunged to two-thirds. Whereas machine operators accounted for 10% of the nation's jobs more than three decades ago and administrative jobs comprised 18%, their shares spiraled to about 4% and 14%, respectively, by 2009.

It's not just a trend in the U.S., but also in many of the world's advanced economies. And while it has been happening for more than three decades, middle-skill jobs suffered more than most others during the Great Recession.

Economists have offered several reasons explaining the trend, from the sophistication of machines that replace routine work to international trade and offshoring. Indeed, rising demand for skilled workers seems almost irreversible. But Massachusetts Institute of Technology economist David Autor suggests that perhaps it's not entirely out of our control.

The vanishing of middle-skill jobs has hurt America's less educated white males most. It's certainly surprising, given that men typically earn more than women in corporate America. But if you look at the nation's college campuses, it's easy to see why.

In a study published last year, Autor pointed out that the rate of women getting college degrees has by far outpaced men. Since higher-skilled jobs requiring college degrees tend to pay significantly more, this slowing growth for men doesn't bode well. Between 1970 and 2008, four-year college degree attainment among white men ages 25 to 34 rose only modestly, from 20% in 1970 to 26% in 2008. By contrast, college attainment among white females remarkably tripled to 34% from 12%.

There's been little in the way of filling the jobs gap. And while Autor doesn't offer any specific solutions, it's hard not to wonder if America's inequalities perhaps have more to do with its education system than the big bonuses on Wall Street.

Source: http://finance.fortune.cnn.com/2011/11/28/middle-class-jobs-decline/

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The Pulse: Yet another GOP wave rider may be wiping out (Philadelphia Inquirer)

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Source: http://news.feedzilla.com/en_us/stories/politics/top-stories/166851071?client_source=feed&format=rss

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Saturday, November 26, 2011

Just Show Me: How to use Amazon?s barcode app on your iPhone (Yahoo! News)

Welcome to?Just Show Me on Tecca TV, where we show you tips and tricks for getting the most out of the?gadgets in your life. In today's episode we'll show you how to use Amazon's barcode scanner on your iPhone.

When you're out shopping for gifts this holiday season, you'll want to be sure that you're not paying more for your purchases than you need to. Amazon's barcode scanner app (download it for the iPhone) easily lets you look up any product you find in a store on Amazon's website, showing you their online price. Sometimes it'll be cheaper to buy it on Amazon, and you might just find yourself saving a bit of money!

Looking for more?holiday shopping tips? Check out our guide to?2011's Black Friday and Cyber Monday deals.

For more episodes of Just Show Me, subscribe to Tecca TV's YouTube channel and check out all our Just Show Me episodes. If you have any topics you'd like to see us cover, just drop us a line in the comments.

This article originally appeared on Tecca

More from Tecca:

  • The ultimate beginner's guide to the iPhone
  • Unboxing Apple's new iPhone 4S
  • Is the $99 iPhone 4 a good deal?

Source: http://us.rd.yahoo.com/dailynews/rss/personaltech/*http%3A//news.yahoo.com/s/yblog_technews/20111125/tc_yblog_technews/just-show-me-how-to-use-amazons-barcode-app-on-your-iphone

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Done (Balloon Juice)

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Friday, November 25, 2011

After new leak, climatologist takes case to public

University of East Anglia climatologist Phil Jones, left, and University of East Anglia vice-chancellor Edward Acton address the media during a news conference, London, Wednesday, Nov. 23, 2011. The British climatologist ensnared in a major new email leak took his case to the public Wednesday, arguing that he and his colleagues' comments have again been taken out of context. (AP Photo/Raphael Satter)

University of East Anglia climatologist Phil Jones, left, and University of East Anglia vice-chancellor Edward Acton address the media during a news conference, London, Wednesday, Nov. 23, 2011. The British climatologist ensnared in a major new email leak took his case to the public Wednesday, arguing that he and his colleagues' comments have again been taken out of context. (AP Photo/Raphael Satter)

(AP) ? The British climatologist ensnared in a major new email leak took his case to the public Wednesday, arguing that his and his colleagues' comments have again been taken out of context.

The University of East Anglia's Phil Jones was one of the major players in the controversy that erupted two years ago over the publication of emails which caught prominent scientists stonewalling critics and attacking them in sometimes vitriolic terms.

The University of East Anglia's Climatic Research Unit is one of the world's leading centers for the study of how world temperatures have varied over time, and Jones came under particular scrutiny following the 2009 disclosures ? even receiving death threats over allegations that he was a leading a conspiracy to hype the dangers of climate change.

Jones and his colleagues have since been vindicated by a series of independent investigations, but the university's reputation has been dented by criticism that it refused to share data with skeptics.

Jones said that his "heart did sink a bit" when he heard about the most recent leak, which apparently consists of old messages held back the first time around.

The university and other climate scientists believe the leak was delayed until now "to cause maximum disruption" to the imminent U.N. climate talks next week in Durban, South Africa.

When quizzed about emails that captured him and other researchers disparaging each others' work or raising pointed questions about the accuracy of climate models, Jones framed it as part of "the cut-and-thrust of scientific debate."

Several excerpts also seemed to be aimed at how best to present scientific findings to the public, but Jones said it was "foolish to think that scientists don't think about the how their message is received."

Jones also was asked about a message he wrote suggesting that emails could be deleted to dodge freedom of information requests. Both he and his university have been criticized for obstructionist attitudes toward Britain's right-to-know law, and the university now says it's far more open about sharing its data.

In his response, Jones appeared to suggest that the public need not interest itself in the inner workings of groups such as the International Panel on Climate Change, which produces authoritative reports on the future of the world's weather.

"Why do people need to know who wrote what individual paragraph?" Jones said.

Other excerpts from the 5,000-odd emails being circulated seemed to cover some of the same ground as the 2009 release, which unleashed an international furor over allegations that scientists were working behind the scenes to manipulate the science behind climate change. Several inquiries have since refuted the charges.

University of East Anglia's Vice chancellor Edward Acton, who flanked Jones as he addressed journalists, predicted less of a storm this time around.

"There's is so much deja vu about it," Acton said.

Associated Press

Source: http://hosted2.ap.org/APDEFAULT/b2f0ca3a594644ee9e50a8ec4ce2d6de/Article_2011-11-24-EU-Climate-Leaked-Emails/id-f43cf633b6044a648681cd44cf5ea029

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Thursday, November 24, 2011

Sound of Music comes to Salzburg (AP)

SALZBURG, Austria ? Move over Mozart. Toes in Salzburg are tapping to a new beat as residents finally embrace the Hollywood musical that put them on the map nearly half a century ago.

Playing for the first time in this haughty town of opera lovers, "The Sound of Music," has been met with surprisingly positive reactions in what is commonly considered a last bulwark of resistance to the iconic show.

"A wonderful performance," enthused Johann Fink as he waited at the coat check at the end of a recent performance at the ornate Salzburg State Theater.

Such a reception in Salzburg is hardly a given despite the global popularity of the musical that was based on a true story and immortalized by the 1965 multiple Academy Award winning movie.

Fans around the world may know every word of every song performed by Julie Andrews as the governess of seven children who charms ? then weds ? their widowed father Baron von Trapp, before the singing family flees the Nazis.

But this city resonates to another sound of music ? the music of Mozart, Beethoven, Brahms.

And it has a different concept of culture.

While residents earn millions each year from the tourists who come for sing-along tours of sites featured in the film, they traditionally view the visitors with benign disdain ? and occasionally as pests.

Residents of the upscale Salzburg neighborhood where the von Trapp home is located tried ? and failed ? to block attempts to turn the edifice into a hotel, fearing tourists would tie up traffic and make a nuisance of themselves. A museum dedicated to the film is still looking for a home after more than 600 residents in another neighborhood signed a petition three years ago against it, telling the city council they feared that local streets would be jammed with tour buses.

Resistance persists even though the city would literally be poorer without the musical's magnet effect.

Peter Proetzner, who guides daily bus-fulls of tourists on pilgrimages of the sites immortalized by the film, cites a poll showing the Sound of Music as the city's second biggest draw ? right after the dozens of classical music events that resonate through its cobblestoned alleys.

"The Sound of Music is better known than Mozart worldwide," he asserts.

South Koreans learn the songs as part of their English lessons. Some foreigners think "Edelweiss" ? composed for the musical by Richard Rodgers and Oscar Hammerstein ? is Austria's national anthem. And Austrian tourism surveys show that three out of four American visitors to Salzburg come because of the musical.

Australian Dianne Cole says she knows "absolutely nothing" about Austria ? and will probably go home still ignorant of the country's cultural, scenic and culinary delights.

"This is why I came to Austria," she said recently, as her Sound of Music tour bus set out for its first stop ? Leopoldskron Lake (where Maria and the children capsized their boat). "The sole reason is to do this tour."

In contrast, most Salzburgers don't even know the musical. In a city that traditionally raps American culture as trashy, residents prefer to be associated with Mozart, Salzburg's favorite son, instead of a film many write off as Hollywood kitsch.

And then there is the troubling Nazi component of The Sound of Music ? a reminder, reinforced by the Swastika flag and storm troopers on stage, that not only Mozart, but Hitler, too, was Austrian.

Austria has long shed its self-fabricated myth that it was a victim of Nazi atrocities instead of one of its most fervent supporters. Restitution panels have returned homes and precious artworks. Millions of euros (dollars) have been doled out to Holocaust victims and their descendants, and schoolbooks now deal in depth with this nation's complicity in the crimes of the Nazi dictator, born just 50 kilometers (30 miles) north of Salzburg.

"I think that this is truly the right moment in time, when Austrians are actually ready to deal with their past," says Andreas Gergen, who directed the German-language production.

Still, anti-Semitic sentiment remains. A survey of 1,070 Austrians conducted earlier this year showed that 12 percent want their country "free of Jews." Backed by the country's neo-Nazi fringe, the country's rightist FPO party is the second-strongest in the country ? although it now exploits Islamophobia instead of anti-Jewish sentiment.

And the sight of Nazis on stage may remind some older audience members of uncomfortable historical facts. Over 99 percent of Austrians voted in favor of their country becoming part of the Third Reich in 1938; proportionally more Austrians than Germans were Nazi party members, and many of Hitler's closest henchmen were Austrians.

Like the Salzburg version, the first full Austrian showing in Vienna in 2005 featured actors dressed as Nazi storm troopers standing guard at exits and a theater box filled with mock Nazi dignitaries ? clearly too painful for some. Back then, some elderly audience members who last witnessed brown-shirted men wearing swastika arm bands as children were so troubled they hastily left the theater without watching the performance.

Six years later, reactions to the Nazi theme are mixed.

"Of course it's not so pleasant for us Salzburgers to be confronted with it," said Judith Herbst. But the smartly dressed woman in her mid 60s said that as far as she was concerned the role of Austria in Hitler's crimes was no longer debatable.

For others, though, the sight of men in forbidden Nazi garb entering the theater remains traumatic.

"It was horrible for a moment ? almost unbelievable," said theatergoer Fink. "Thank God this era is in the past!"

But there were no gasps of dismay regarding the rest of the show.

Some hummed its ear-candy melodies at the coat check after the performance.

"Kitsch? I was afraid that would be the case," said Helmi Popeter. "But once you see it, you realize that's not so."

___

George Jahn can be reached at http://twitter.com/georgejahn

Source: http://us.rd.yahoo.com/dailynews/rss/music/*http%3A//news.yahoo.com/s/ap/20111123/ap_en_mu/eu_austria_sound_of_music

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